Things I’m Not “In”to

Okay. Here’s a little “poem”. (And, yes, I used a dictionary when writing it. I also checked with ChatGPT which made a few suggestions, including the last two lines.)

I’d rather be accurate than inaccurate 

I’d rather be considerate than inconsiderate 

I’d rather be decent than indecent 

I’d rather be direct than indirect 

I’d rather be discreet than indiscreet

I’d rather be effective than ineffective

I’d rather be elegant than inelegant 

I’d rather be exact than inexact

I’d rather be experienced than inexperienced 

I’d rather be firm than infirm

I’d rather be humane than inhuman

I’d rather be sane than insane

I’d rather be sensible than insensible

I’d rather be secure than insecure 

I’d rather be tolerant than intolerant 

AND . . .  I’d rather cite than incite

BUT . . .

I want to be both credible and incredible

And I want to both form and inform

AND . . . 

I’d rather be incomparable than comparable

I’d rather be independent than dependent 

I’d rather be indescribable than describable

I’d rather be indestructible than destructible 

I’d rather be indispensable than dispensable 

I’d rather be infallible than fallible 

I’d rather be intense than tense

And I’d rather be insightful than inciteful.

So if I’m “in” anything — let it be integrity.

Ghosts

Inspired by some musings that one of my brothers shared with me, stories about his life and our family that he wants to share with his grandkids, this little idiosyncratic piece popped up in my head.  It started out optimistic when I began, but at the end turned out to be utterly pessimistic.

Spain the Bypassed

Here is an essay I’ve been working on lately. It is probably of interest only to my expat friends and others well versed in Spanish culture. It is long, but it does have lots of pictures.

I have now uploaded a revised version of this essay, with some new 19th century paintings. Anyone who has already slogged through this essay may only want to glance at the new pictures on pp. 16-20.

Old Clothes on the Clothesline: The Sad Story of Diego Gayo

“Why don’t you write a short story about those old clothes hanging on that clothesline on the side of the abandoned building next door to us? They’ve been there untouched for the four years we have lived here,” my wife said to me the other day as I was moping around wondering what to do after I had just finished a major writing project about public art in Oviedo. So this is the result. It is a place-based story, and those who aren’t familiar with Oviedo, Spain and its history may find it a little confusing. (Not to mention the liberties I take with the first/third person omniscience.) It is a dark ghost story, and trigger warning: the story contains rape and suicide.